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🔗 Internet culture 🔗 Songs 🔗 Electronic music

"The Most Mysterious Song on the Internet" (also known as "Like the Wind", "Blind the Wind", "Check It In, Check It Out" or "Take It In, Take It Out" after lines in fan-interpreted lyrics; acronymed as TMMSOTI or TMS) is the nickname given to an unidentified song recording, most likely composed in the 1980s.

The song was reportedly recorded from a Norddeutscher Rundfunk (NDR) broadcast sometime in the mid-1980s, likely during or after 1984. Since 2019, this song has been the subject of a viral Internet phenomenon, with many users of sites such as Reddit and Discord involved in a collaborative effort to search for the origins of the song. Through the search, other unknown songs were discovered. Users have coined the term "Lostwave" to describe songs of this nature.

🔗 Electronic music

I am sitting in a room is a sound art piece composed in 1969 and one of composer Alvin Lucier's best known works.

The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room, re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain frequencies of the recording are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonant frequencies of the room itself.

In his book on the origins of minimalism, Edward Strickland wrote that "In its repetition and limited means, I am sitting in a room ranks with the finest achievements of Minimal tape music. Furthermore, in its ambient conversion of speech modules into drone frequencies, it unites the two principal structural components of Minimal music in general."

🔗 Musical Instruments 🔗 Electronic music

The theremin (; originally known as the ætherphone/etherphone, thereminophone or termenvox/thereminvox) is an electronic musical instrument controlled without physical contact by the thereminist (performer). It is named after its inventor, Léon Theremin, who patented the device in 1928.

The instrument's controlling section usually consists of two metal antennas that sense the relative position of the thereminist's hands and control oscillators for frequency with one hand, and amplitude (volume) with the other. The electric signals from the theremin are amplified and sent to a loudspeaker.

The sound of the instrument is often associated with eerie situations. Thus, the theremin has been used in movie soundtracks such as Miklós Rózsa's Spellbound and The Lost Weekend, Bernard Herrmann's The Day the Earth Stood Still, and Justin Hurwitz's First Man, as well as in theme songs for television shows such as the ITV drama Midsomer Murders. The theremin is also used in concert music (especially avant-garde and 20th- and 21st-century new music), and in popular music genres such as rock.

🔗 Software 🔗 Software/Computing 🔗 Musical Instruments 🔗 Electronic music 🔗 Japan 🔗 Japan/Science and technology

UTAU is a Japanese singing synthesizer application created by Ameya/Ayame. This program is similar to the VOCALOID software, with the difference being it is shareware instead of under a third party licensing.

🔗 Library of Congress 🔗 Electronic music 🔗 Rock music 🔗 R&B and Soul Music 🔗 Pop music 🔗 Hip-hop

The Amen break is a drum break that has been widely sampled in popular music. It comes from the 1969 track "Amen, Brother" by the American soul group the Winstons, released as the B-side of the 1969 single "Color Him Father". The drum break lasts seven seconds and was performed by Gregory Coleman.

With the rise of hip-hop in the 1980s, the Amen break was used in hits including "Straight Outta Compton" by N.W.A and "Keep It Going Now" by Rob Base & DJ E-Z Rock. In the 1990s, it became a staple of drum and bass and jungle music. It has been used in thousands of tracks of various genres, making it one of the most sampled recordings in music history.

The Winstons received no royalties for the sample. The bandleader, Richard Lewis Spencer, was not aware of its use until 1996, after the statute of limitations for copyright infringement had passed. He condemned its use as plagiarism, but later said it was flattering. He said it was unlikely that Coleman, who died homeless and destitute in 2006, realized the impact he had made on music. In 2026, "Amen, Brother" was selected by the US Library of Congress for preservation in the National Recording Registry.

🔗 Electronic music 🔗 Albums

Inferno is the fifth studio album by Scottish electronic music duo Boards of Canada, released on 29 May 2026 by Warp. It marks the duo's first studio album in thirteen years, following Tomorrow's Harvest (2013). An ambient and electronic album described as hauntology and IDM, the album was noted as the duo's response to a darker zeitgeist. Its instrumentation contains guitars, live drums, and synths, adopting a live sound. Recorded at Hexagon Sun studio in Pentland Hills, Scotland, both members are credited on the album as instrumentalists and sound designers; writing and production is credited solely to Mike Sandison.

The promotional campaign began in April 2026, with VHS tapes being mailed out to fans, and the track "Tape 05" being shared online later that month before the album was properly announced. The single "Introit / Prophecy at 1420 MHz" was released in early May, accompanied by a music video directed by Robert Beatty. Listening sessions occurred in various places across the world later that month. A day prior to release, use of the album's music and aesthetic was co-opted by the White House, which was received negatively by the public and denounced by Warp. Anticipated widely for release, Inferno received praise as a relevant return for Boards of Canada, and for its subject matter, musicality, and thematic content.

🔗 Internet culture 🔗 Medicine 🔗 Psychology 🔗 Electronic music 🔗 Neuroscience 🔗 Medicine/Neurology 🔗 Medicine/Society and Medicine 🔗 Albums

Everywhere at the End of Time is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Krakow and released over six-month periods to "give a sense of time passing". The album covers are abstract paintings by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial; later stages were influenced by avant-gardist composer John Cage.

The series comprises six hours of music, portraying a range of emotions and characterised by noise throughout. Although the first three stages are similar to An Empty Bliss, the last three stages depart from Kirby's earlier ambient works. The albums reflect the patient's disorder and death, their feelings, and the phenomenon of terminal lucidity. To promote the series, Kirby partnered with anonymous visual artist Weirdcore to make music videos. At first, concerned about whether the series would seem pretentious, Kirby thought of not creating Everywhere at all; he spent more time producing it than any of his other releases. The album covers received attention from a French art exhibition named after the Caretaker's Everywhere, an Empty Bliss (2019), a compilation of archived songs.

As each stage was released, the series received increasingly positive reviews from critics; its length and dementia-driven concept led many reviewers to feel emotional about the complete edition. Considered to be Kirby's magnum opus, Everywhere was one of the most praised music releases of the 2010s. Caregivers of people with dementia also praised the albums for increasing empathy for patients among younger listeners, although some medics felt the series was too linear. It became an Internet phenomenon in the early 2020s, emerging in TikTok videos as a listening challenge, being transformed into a mod for the video game Friday Night Funkin' (2020), and appearing in internet memes.

🔗 Electronic music

The Atari Punk Console (commonly shortened to APC) is a popular circuit that utilizes two 555 timer ICs or a single 556 dual timer IC. The original circuit, called a "Sound Synthesizer", was published in a Radio Shack booklet: "Engineer's Notebook: Integrated Circuit Applications" in 1980 and later called "Stepped Tone Generator" in "Engineer's Mini-Notebook - 555 Circuits" by its designer, Forrest M. Mims III (Siliconcepts, 1984). It was named "Atari Punk Console" (APC) by Kaustic Machines crew because its "low-fi" sounds resemble classic Atari console games from the 1980s, with a square wave output similar to the Atari 2600. Kaustic Machines added a -4db line level output with volume control to the circuit which was originally designed to drive a small 8-ohm speaker.

The Atari Punk console is an astable square wave oscillator driving a monostable oscillator that creates a single (square) pulse. There are two controls, one for the frequency of the oscillator and one to control the pulse width. The controls are usually potentiometers but the circuit can also be controlled by light, temperature, pressure etc. by replacing a potentiometer with a suitable sensor (e.g., photoresistor for light sensitivity). Most of the time there is also a power switch (often a toggle switch) and a volume knob.

The circuit is a simple DIY noisemaker circuit that is relatively inexpensive and easy to build, easily adaptable and is configurable in many ways. It has been built into a wide variety of cases. Its flexibility has led to wide scale popularity among electronics enthusiasts. It is often suggested as a good circuit to build for beginners.

🔗 Video games 🔗 Computing 🔗 Electronic music

Music Macro Language (MML) is a music description language used in sequencing music on computer and video game systems.

🔗 Electronic music 🔗 R&B and Soul Music

Woo! Yeah! is a drum break that includes James Brown's ("Woo!") and Bobby Byrd's ("Yeah!") voices which has been widely sampled in popular music, often in the form of a loop. The drum break was performed by John "Jabo" Starks. It originates from the 1972 Lyn Collins recording "Think (About It)", a song written and produced by Brown, and is just one of a few other frequently used breaks contained in the recording, often collectively known as the Think Break.